Ah the fun that an old man can have with the simplicity of a small piece of an already beautiful thing. How light reflects, creates shadows, small valleys and rises. The color, already vibrant, can be made to seem to make a solid into transparency. All with the simplicity of a bloom and a small maglite. Add the fact that in can all be done within the comfort of eighty degrees when it’s 101 outside.

It somehow seems a bit of cheating the mindful practice, using artificial means to achieve what used to take hours of waiting until the natural light became what you needed or wanted. I long to be of the nature like Ansel Adams. I had read of the lengths that Mr Adams would go (or wait) for the images to form to his liking. But then I read his description of the making of his haunting image: Moonrise over Espanola.

                                                                                               ©Ansel Adams

From Ansel Adams, in Examples:

“We were sailing southward along the highway not far from Espanola(NM) when I glanced to the left and saw an extraordinary situation—an inevitable photograph! I almost ditched the car and rushed to set up my 8×10 camera. I was yelling to my companions to bring me things from the car as I struggled to change components on my Cooke Triple-Convertible lens. I had a clear visualization of the image I wanted, but when the Wratten No. 15 (G) filter and the film holder were in place, I could not find my Weston exposure meter! The situation was desperate: the low sun was trailing the edge of the clouds in the west, and shadow would soon dim the white crosses.

I was at a loss with the subject luminance values, and I confess I was thinking about bracketing several exposures, when I suddenly realized that I knew the luminance of the moon—250 c/ft2. Using the Exposure Formula, I placed this luminance on Zone VII; 60 c/ft2 therefore fell on Zone V, and the exposure with the filter factor o 3x was about 1 second at f/32 with ASA 64 film. I had no idea what the value of the foreground was, but I hoped it barely fell within the exposure scale. Not wanting to take chances, I indicated a water-bath development for the negative.”

Realizing as I released the shutter that I had an unusual photograph which deserved a duplicate negative, I swiftly reversed the film holder, but as I pulled the darkslide the sunlight passed from the white crosses; I was a few seconds too late!

Please do not think that I am comparing myself to “Da Man”, other than we both use the same tool (of sorts), the likeness fades like an under-fixed print…..Peace Out †††

“WE BUILD TOO MANY BRIDGES AND NOT ENOUGH WALLS.”   Isaac Newton….. 

Shades of Gray from Grayson Co, TX #901 – Raindrops, So little raindrops

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We had so much rain a month or so back that I never thought I would be asking for more. But it always seem we want what we don’t have, then whine when we don’t have it and whine some more when we do.

We can be so fickle!   ††††monos en theos † jas L

Shades of Gray from Grayson Co, TX #847…Hints of Red

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Having moved from Southwest Texas to North Central Texas, we really went from one extreme to another. We moved almost as far from one corner of the state to the other. From the Rio to the Red.

One of the pleasures has been the actual slow approach of fall. We seem to really have a fall. Well. as much as one could expect in Texas. Southwest Texas always seemed like to shift from hot to a week or two of comfortable coolness and then wham, a “blue norther” would blow in and every leaf went from green to dead.

I am relaxing with the slowness of North Central Texas. We are closer to East Texas and people just move at a slower pace. I have a theory that it has a little to do with how mother nature moves. I think the people, like the leaves, grow to reflect that movement.

So, I am enjoying the slowness of the coming of Winter and getting to rest in the reassurance of slow change.  Green to red is much nicer than green to dead. I trust that it works with humans as well as leaves!

None the less, I am getting the fireplace ready for use…†…monos en theos…jim