Ah the fun that an old man can have with the simplicity of a small piece of an already beautiful thing. How light reflects, creates shadows, small valleys and rises. The color, already vibrant, can be made to seem to make a solid into transparency. All with the simplicity of a bloom and a small maglite. Add the fact that in can all be done within the comfort of eighty degrees when it’s 101 outside.
It somehow seems a bit of cheating the mindful practice, using artificial means to achieve what used to take hours of waiting until the natural light became what you needed or wanted. I long to be of the nature like Ansel Adams. I had read of the lengths that Mr Adams would go (or wait) for the images to form to his liking. But then I read his description of the making of his haunting image: Moonrise over Espanola.
From Ansel Adams, in Examples:
“We were sailing southward along the highway not far from Espanola(NM) when I glanced to the left and saw an extraordinary situation—an inevitable photograph! I almost ditched the car and rushed to set up my 8×10 camera. I was yelling to my companions to bring me things from the car as I struggled to change components on my Cooke Triple-Convertible lens. I had a clear visualization of the image I wanted, but when the Wratten No. 15 (G) filter and the film holder were in place, I could not find my Weston exposure meter! The situation was desperate: the low sun was trailing the edge of the clouds in the west, and shadow would soon dim the white crosses.
I was at a loss with the subject luminance values, and I confess I was thinking about bracketing several exposures, when I suddenly realized that I knew the luminance of the moon—250 c/ft2. Using the Exposure Formula, I placed this luminance on Zone VII; 60 c/ft2 therefore fell on Zone V, and the exposure with the filter factor o 3x was about 1 second at f/32 with ASA 64 film. I had no idea what the value of the foreground was, but I hoped it barely fell within the exposure scale. Not wanting to take chances, I indicated a water-bath development for the negative.”
Realizing as I released the shutter that I had an unusual photograph which deserved a duplicate negative, I swiftly reversed the film holder, but as I pulled the darkslide the sunlight passed from the white crosses; I was a few seconds too late!”
Please do not think that I am comparing myself to “Da Man”, other than we both use the same tool (of sorts), the likeness fades like an under-fixed print…..Peace Out †††
“WE BUILD TOO MANY BRIDGES AND NOT ENOUGH WALLS.” Isaac Newton…..
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Hi James, Your image is magnificent. I’ve returned a couple of times to enjoy the details and light. Beautifully shot. And to reread Ansel’s famous story of the making of Moonrise is an added treat.